Teater Koma’s Sampek Engtay: The Tragic Comedy of Cultures

I feel like reviewing Teater Koma’s Sampek Engtay is like reviewing Phantom of the Opera. It has so much media magnitude and general fame, people don’t feel like they need to read reviews anymore, they’ll watch it out of some kind of a pop cultural obligation, and/or curiosity.  Continue reading Teater Koma’s Sampek Engtay: The Tragic Comedy of Cultures

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